"I'll take swords for $200, Alex."
"That's S-words!"
First off, I think widest variety of interests is often confused with
brain that soaks up inane bits of info. But thanks anyway.
1) How the hell are you?
I go back on vacation as of tomorrow, so looking up.
2) Do you write directly into the post window or do you write several
drafts into a word program before posting? Do you write an outline first?
For stories? I used to write them in notepads first. I still do for
some pieces. Everything is eventually done in Word and usually goes
through a ton of revisions before it hits Otherworlds. Except for the
S3 parodies, which are lucky to get spell-checked.
3) Is there any story that you’d be embarrassed for one of the
actors to read because of something that happens to their character?
All of Earths 10153 and 5260. Of course, that's sort of the point.
4) What brought you back to the Story Game after a year’s hiatus?
Which Story Game is your all time favorite? (Doesn’t have to be
one you participated in)
In all fairness, there was only like one story done during that hiatus.
It's like I barely left. :)
There will be stakes and crosses taken out for this answer, but I had
a lot of fun with the Transmodiar story. The Comment section alone was
worth the price of admission.
5) Your “100 Things I Hate About ...” reviews never fail
to leave me with tears of laughter. Have you ever had to struggle to
reach 100? How many more eps do you hate a hundred things about? Also,
is this the genesis of this series? ----> http://bboard.scifi.com/bboard/browse.cgi/1/5/2326/25022
I didn't make it in Revelations and refused to go back and look for
more. It's more dreadfully dull than anything, so there were few details
to screw up. The ones they did were doozies.
I bet I could get to 100 for the Breeder, Stoker, Slither, This Slide
of Paradise, Roads Taken, Requiem, and an outside shot at Time Again
and World. Trouble is, I don't hate those eps so much as that I'm bewildered
they were ever made.
OK, I really hate Roads Taken.
As for that post, not really. Informant was doing an Opposites Day
and I was writing "The Show Must Go On" at the time. The genesis
of the series is the appendix for "Show", which explains why
I did it--to pass the time.
6) Which Slider do you feel you write best? Worst?
I feel I write Arturo best. He's richly textured and fairly consistant
throughout the series so there are plenty of guidelines to work within.
I struggle most with Wade. She's a different person from season to
season. We tend to think of her as all sugar and spice, but she really
isn't. She's the one who encourages Arturo to rob the Royal Colony Hotel
in the first season, a far cry from the person worried about karma by
the third season.
7) Your credits for “The Show Must Go On” beg this question.
What inside info did SouthernSlider and sliderlynn have about JOC????
While we’re on the subject, are there any other shows you’d
consider crossing over with Sliders?
They were able to confirm JOC's living arrangements at the time so
I could make that as realistic as possible too. No other crossovers
are planned.
8) “The Thriller is Gone” is another great Remmy episode.
Which TV season of Remmy did you enjoy the most? Which is the most fun
to write? Also, how much Remmy backstory did you make up in this ep
and how much did you glean from various TV eps?
First season is the most fun. Second season is probably the best place
to write as he still has traces of his first season personality without
quite so much of the whining.
In "The Thriller is Gone", virtually 100% of the back story
is fabricated as the Inside the Music special is the story of his double,
whose life is very, very different from Remmy's. It's more a warped
shadow of Michael Jackson than Rembrandt Brown. That said, TemporalFlux
helped me reconstruct our Remmy's past just so I'd have a point of reference.
9) I won’t ask “what is your favorite story” because
to a writer that is akin to asking a mother “which child is your
favorite?” Instead, which world that you’ve visited in your
writings is your favorite?
You haven't seen them yet, but they're written. :)
10) Earth 8950 matches you up with equally well read and thoughtful
Tigs. How did this partnership and E8950 itself come about? How much
do you edit each other?
Earth8950 (3005 at the time) is Chaser9's idea. It came about when
the Otherworlds staff started brainstorming how to accomplish it. It
never got off the ground because very few people had the time to dedicate
to it. I was done with 317, so I decided I'd take a look and put together
a plan. Tigs had volunteered to do "Beauty World" and then
eventually was coerced into becoming a full partner in the project.
How do we edit each other? With great care.
11) “Nobody Move” starts with a very chilling concept.
My pet theory is that the entire story sprung from the idea of the Sliders
emerging into the bloody aftermath of a botched bank robbery. Is this
true? If not, have you ever built on entire story around a great scene
or concept?
This story was born out of the necessity to burn off an episode in
between "Beauty World" and T4's 7th episode (which was scheduled
4th at the time) so that it could begin in October. We needed a 1-2
hour slide. Not so glorious is it now, eh?
The original idea was essentially this-- write an episode where Wing
is a lawyer. I had two ideas and this is the actual proposal from June
of 2001:
---
Option One- Variation of Earth214's "Negotiations"
The Sliders land right in the midst of a brutal shootout, probably
a bank robbery gone awry. It looks like someone played hero and managed
to kill the robber, but lost his life in the process. Bottom line: everyone
is dead but the Sliders. And the building is surrounded by cops reporting
to the scene. Try talking your way out of this one. The slide is in
1-2 hours, so if they are arrested, they might be separated. They decide
the best plan of action is to
hold up in the bank. To do this, one of them must take on the role as
villain and pretend to hold the other 3 hostage. It's a two set story-
in the bank, outside the bank. It's a prototypical bottle episode good
for characterization. Outside the bank is where the comedy takes place.
There, ambulance chasing lawyers Ross J. Kelly and Trevor Wing compete
to get the hostages to sign with them for damage claims. (Hey, Wing
said in the pilot his father wanted him to be a lawyer, here he did.)
Option Two- Varation of ThomasMalthus' Suspicion
When TM started that story, I thought he was going to do a tale of
a world where impersonating your double is a crime. In worlds accepting
of the sliding technology, you'd have to expect such laws. I'd find
it an interesting society to explore and one that sheds light on what
might happen to EarthPrime if sliding went mainstream. Is this something
they would want? And if it is not, it puts greater impetus on them to
get home and prevent Quinn's experiment from getting out (unbeknownst
to them that the FBI had already investigated.) Ross J. Kelly would
defend the impersonating slider against ruthless Assistant District
Attorney, Trevor Wing.
---
We went with Option One (with SQ21's permission), but Option Two still
looks like a pretty good potential story. So anyway, more info than
you ever wanted to know on "Nobody Move" and all still well-documented
at the Otherworlds mailing list.
And have any stories been born of a single scene? Not quite, but T4's
9th episode is born out of all the rejected ideas for "The Thriller
Is Gone" (and yet bears no resemblance to it!)
Bonus Question: Has this list changed any? http://bboard.scifi.com/bboard/browse.cgi/1/5/545/26457
I'd add Yee Jee Tso and Steve Stoliar, dropping Mothersbaugh and Damron.
R317